Category: 大圖輸出
沉香與玫瑰之間的坦誠對話。調香大師在此成為兩種截然不同原料之間交流的仲裁者，力量與精緻、陰影與光明。
為了馴服沉香的強勁與複雜，調香大師 Alberto Morillas 運用了雙玫瑰組合——保加利亞玫瑰與千葉玫瑰。沉香因而呈現出暗色神祕花朵的風貌，並以胡椒與番紅花的辛香點綴提升。香水最終的木質皮革調性，由紙莎草木與岩薔薇（勞丹脂）加以強化。以此沉香為標誌的這款香水，既不濃烈逼人，也非動物性，而是如絲緞般輕撫肌膚的平衡與細膩。
香調家族：木質花香調
前調： 保加利亞玫瑰精油, 千葉玫瑰原精, 粉紅胡椒精油 SFE
中調： 依蘭依蘭精油, 番紅花原精, 寮國沉香精油
基調： 波本香草原精, 紙莎草木精油, 岩薔薇（勞丹脂）原精
Sprayed it on at noon and the rose-oud balance stayed perfectly intact through a full workday — the dark, smoky side never overwhelms the floral softness. Oddly enough, it feels lighter than I expected for an oud, which makes it wearable even in summer heat. This one's earned a permanent spot on my
The dry-down is where this really shines—the rose softens the oud just enough that it wears close to the skin for hours without shouting. I sprayed it on my scarf this morning and caught faint, elegant whiffs of that shadow-and-light balance all afternoon.
The dry-down really lets the rose breathe—it’s soft and almost powdery against that deep, smoky oud, exactly the kind of contrast I wanted in a daily wear. I’ve gotten three compliments in two days, and one spray on my scarf lasted through a full work shift.
